Contents
- Luke Smythe, Image and Music in the Direct Films of Len Lye
- Michael Dunn, Rock Art, Landscape and Limestone: Theo Schoon's Photographs in North Otago and South Canterbury, 1946-48
- Courtney Johnston, Feeling and Illustration: Reading Peter Tomory's Art History
- James Beattie, Alfred Sharpe, Ruskin and Australasian Nature
- Ruth Harvey, Casting New Light on the Art of Bill Culbert
- Sarah Hillary, A Painter's Paradise: The Materials and Techniques of Colin McCahon
- Roger Collins, A Note on Two Paintings by G. P. Nerli

Reviews
- Deborah Shepard (Ed.), Between the Lives: Partners in Art, Reviewed by Lara Strongman
- Joanne Drayton, Frances Hodgkins: A Private Viewing, Reviewed by Edward Hanfling
- Michael Dunn, Nerli: An Italian Painter in the South Pacific, Reviewed by Julie King
- Christchurch Art Gallery Te Puna o Waiwhetu, Hotere: Empty of Shadows and Making a Shadow - Lithographs by Ralph Hotere;
- Kriselle Baker, The Desire of the Line: Ralph Hotere Figurative Works, Reviewed by David Maskill
- Peter Simpson (Ed.), Leo Bensemann: Engravings on Wood, Reviewed by Donald Kerr

Contents
- Merilyn L. Savill, 'Engraved by Capital Artists': Illustrations in Sydney Parkinson's Journal, their origins and sources
- Kyla Mackenzie, In Search of Arcadia: The Nude Compositions of John Weeks 1929-c1955
- Matthew Larking, Reticence Despite Ratification: McCahon's take on Tessai
- Alexander Trapeznik and Amy Cosgrove, Contemporary Dunedin Jewellers: Kobi Bosshard and Tony Williams
- Joanna Osborne, The Sudden Imperative: Re-contextualisation and methodology in the recent work of Allie Eagle

Reviews
- Warren Feeney, The Radical, the Reactionary and the Canterbury Society of Arts 1880-1896, Reviewed by Peter Simpson
- Diane Pivac (Ed.) with Frank Stark and Lawrence McDonald, New Zealand film: An Illustrated History, Reviewed by Joe Citizen
- Christina Barton, Tyler Cann and Mercedes Vicente (Eds.), Points of Contact: Jim Allen, Len Lye, Hélio Oiticica, Reviewed by Victoria Wynne-Jones
- Jenny Newell, Pacific Art in Detail, Reviewed by Karen Stevenson

Contents
- Warren Feeney, National Identity and Peter McIntyre's New Zealand
- Ian Lochhead, In the Heart of the Bush: Photographing the Catlins in 1906-7
- Peter Simpson, Here's Looking at You: The Cambridge Terrace Years of Leo Bensemann and Rita Angus
- Natalie Smith, The Wearables and The Montana World of Wearable Art™ Awards: What it Is and What it Means
- Mark Stocker, 'A Greatness Departed and a Glory Dimmed': The Kaiapoi Pa Monument
- Jennifer Hay, John Panting: New Zealand's New Generation Sculptor
- Luke Smythe, Formal Horizons: Walter's Modernism and the Historical Location of the Koru Paintings
- Peter Leech, 'A Sort of Generalized Thing': McCahon, Influence and Explanation
- Vickie Hearnshaw, Learning Art with Eugene von Guérard: The Letters of Will Watkins to Julius von Haast

Reviews
- Deidre Brown, Tai Tokerau Whakairo Rakau: Northland Maori Wood Carving, Reviewed by Roger Fyfe
- Michael Dunn, New Zealand Painting: A Concise History;
Damian Skinner, Don Binney: Nga Manu/Nga Motu - Birds/Islands, Reviewed by Edward Hanfling
- Laurence Simmons, The Image Always has the Last Word: On Contemporary New Zealand Painting and Photography, Reviewed by Peter Stupples
- Anna Smith and Lydia Wevers (eds), On Display: New Essays in Cultural Studies;
Claudia Bell and Steve Matthewman (eds), Cultural Studies in Aotearoa New Zealand: Identity, Space and Place, Reviewed by Laurence Simmons

Contents
- Ruth Pullin, Eugène von Guérard and the Geognostic Landscape of New Zealand
- Ralph Body, The Doyen of Dunedin Art: Alfred Henry O'Keeffe's Late Works
- Warren Feeney, 'Doing the Right Thing'; William Sykes Baverstock and the Arts in Canterbury 1943-69
- David Bell, Looking and Understanding: New Zealand Views of Japan Through Ukiyo-e
- Elly van de Wijdeven, The Art of Paua: The Jewellery of Alfred Atkinson and the Art Souvenirs of Arthur Morrison
- Endward Hanfling, Douglas Badcock: A Ruskinian Interpretation
- Leonard Bell, Looking Outwards; Looking Inwards: Threshold Spaces in the Work of Two Migrant Central European Photographers in New Zealand in the Mid Twentieth Century

Reviews
- Denis Button, The Art Instinct: Beauty, Pleasure, & Human Evolution, Reviewed by Hannah Rose Burgess
- Iain Sharp, Heaphy, Reviewed by Tom Brooking
- Jill Trevelyan, Rita Angus: An Artist's Life;
William McAloon and Jill Trevelyan, Rita Angus: Life and Vision, Reviewed by Michael Dunn

Contents
- Alex Witherow, Grahame Sydney and his Critics
- Francis Pound, McCahon, Mondrian, Masking Tape: A Reading from the Centre from the Outermost Edge
- Alan Wright, Milan Mrkusich and the Sublime
- Edward Hanfling, Alan Wright and Ian Scott: The House-Painting Aesthetic in 1970s New Zealand Abstraction
- Rebecca Rice, Hauhau and Other Rebel Flags: Histories of Exchange, Acculturation and Appropriation in Nineteenth-Century New Zealand
- Mark Williams, The Touch of Man: Strange Encounters in the Ureweras
- Penny Wilson, 'A Symphony in Bronze': The Christchurch Citizens' War Memorial
- Julian Cassidy, The Stamp of an Artists
- Peter Entisle, A Portrait of Frances Hodgkins?

Reviews
- Roger Collins, Charles Meryon: A life, Reviewed by Julie King
- Paul Duncum and Ted Bracey (eds), On Knowing: Art and Visual Culture, Reviewed by Stephen Davies
- Roger Horrocks, Len Lye: A Biography, Reviewed by Cassandra Fusco

Contents
- Geoffrey Troughton, The Light of the World at the End of the World, 1906
- Elizabeth Rankin, Picturing Protest: New Zealand Artists and the Springbok Rugby Tour Protests
- Mary Kisler, Agostino Carracci or Lavinia Fontana? The Attribution of Portrait of a Lady with a Dog at the Auckland Art Gallery Toi o Tamaki
- Mathew Norman, The Mysterious Affair of Bishop Monrad's Rembrants
- Dorothee Pauli, Not Accepting Oblivion - The Career of Cedric Savage
- Edward Hanfling, Of Brown and Grey: The Paintings of Helen Brown
- Warren Feeney, 'The Great Art War': Alan Brassington and Frances Hodgkins's The Pleasure Garden

Reviews
- Lara Strongman and Hannah Holme (eds.), Contemporary New Zealand Photographers, Reviewed by Christine Whybrew
- Justin Paton, how to look at a painting, Reviewed by Bruce Barber
- Christopher Johnstone, Landscape Paintings of New Zealand: A Journey from North to South, Reviewed by Michael Dunn
- William Cottrell, Furniture of the New Zealand Colonial Era: An Illustrated History 1830-1900, Reviewed by Louis Le Vaillant

Contents
- Melinda Johnston, The Artist Dissected: European Anatomical Traditions in the Prints of Barry Cleavin
- Donald Bassett, Educating Rita: The Children's Illustrations of Rita Angus
- Leonard Bell, A Very Peculiar Practice: Investigating Girolamo Nerli's The Savage Chief (1897)
- Sarah Hillary and Joyce Townsend, A Lively Parrot: Frances Hodgkins's Wings Over Water
- Tony Mackle, Stewart Bell Maclennan: 'The Man for the Job'
- Dorothee Pauli, 'Signs of Genius Apparent': The Art of James Cook
- Gail Ross, The Quoin Club: Auckland Print Pioneers 1916-1930

Reviews
- Jill Trevelyan (Ed.), Toss Woollaston: A Life in Letters, Reviewed by Richard Lummis
- Helen Foote, The Hand and the Chisel: The Life and Work of Lewis John Godfrey, Reviewed by Michael Findlay
- Gregory O'Brien, Welcome to the South Seas: Contemporary New Zealand Art for Young People, Reviewed by David Bell

Contents
- Warren Feeney, The Name's Colvin. Neville Colvin
- Michael Findlay, Eyes on the Prize: New Zealand Architects, Education and the Travelling Scholarship 1880-1939
- Melinda Johnston, Resisting the Greater Deception: Social and Political Commentary in the Prints of James Boswell
- Genevieve Silvester, Lifiting the Shadows from Gottfried Lindauer's 'Maori GIrl with Poi'
- Celia Walker, The Landscape Measured: Charles Heaphy's Mapped Visions
- Sophie Keyse, Viewer as Voyeur and the Evocation of Unease in the Work of Séraphine Pick, Yvonne Todd and Ann Shelton
- Robin Woodward, The Form of Christian Art: Biblical Subject Matter in the Sculpture of Terry Stringer
- Robert Hannah, A Tale of Two Capitals
- Roger Collins, Frances Hodgkins and a 'New' French Connection

Reviews
- Peter Simpson, Fantastica: The World of Leo Bensemann, Reviewed by Aaron Lister
- Mary Kisler, Angels & Aristocrats: Early European Art in New Zealand Public Collections, Reviewed by Michael Dunn
- Jennifer Hay with John Finlay, Bruce Barber, Peter Leech, Pamela Hansford, Jenny Harper and Justin Paton, Andrew Drummond: Observation/Action/Reflection, Reviewed by Christina Barton

Contents
- Jenny Harper, Denis Dutton, Deidre Brown and Julie King, Christchurch Art Gallery Te Puna o Waiwhetu: Four Perspectives
- Paul Williams, Te Papa: New Zealand's Identity Complex
- Elizabeth Rankin, From Rome to Rotorua: The Bathhouse Sculptures of Chales Francis Summers
- Donald Bassett, Felix Kelly, Modernity and the Machine
- Roger Collins, Artist and Strategist: Owen Merton's Return to New Zealand in 1907-1909
- Leonard Bell, Outside Voices Disturbing the Peace: Two German Doctors and Their Writings on Art and Culture in New Zealand
- Tony Mackle, Lady Mabel Annesley: A European Perspective in the Antipodes
- David Maskill, 'Bouvard et Pecuchet': The Harold Wright Collection of Prints by Lionel Lindsay at Te Papa
- Gordon H. Brown, How Colin McCahon Capitalised his Picture-Titles

Reviews
- Marja Bloem and Martin Browne, Colin McCahon: A Question of Faith, Book and Exhibition reviewed by Peter Simpson
- Joanne Drayton, Rhona Haszard: An Experimental Expatriate New Zealand Artist, Reviewed by Dorothee Pauli
- Wystan Curnow and John Yau, Max Gimblett, Reviewed by William McAloon
- Michael Dunn, New Zealand Sculpture: A History;
Priscilla Pitts, Comptemporary New Zealand Sculpture: Themes and Issues;
Jeanette Cook (ed.), Paul Dibble;
Edward Lucie-Smith, Ken Scarlett and Gregory O'Brien, Chris Booth: Sculpture in Europe Australia and New Zealand;
Christina Barton (ed.), Ground/Work: The Art of Pauline Rhodes, Reviewed by Robin Woodward