Journal of New Zealand Art History, Volume 24

Contents
- Jenny Harper, Denis Dutton, Deidre Brown and Julie King, Christchurch Art Gallery Te Puna o Waiwhetu: Four Perspectives
- Paul Williams, Te Papa: New Zealand's Identity Complex
- Elizabeth Rankin, From Rome to Rotorua: The Bathhouse Sculptures of Chales Francis Summers
- Donald Bassett, Felix Kelly, Modernity and the Machine
- Roger Collins, Artist and Strategist: Owen Merton's Return to New Zealand in 1907-1909
- Leonard Bell, Outside Voices Disturbing the Peace: Two German Doctors and Their Writings on Art and Culture in New Zealand
- Tony Mackle, Lady Mabel Annesley: A European Perspective in the Antipodes
- David Maskill, 'Bouvard et Pecuchet': The Harold Wright Collection of Prints by Lionel Lindsay at Te Papa
- Gordon H. Brown, How Colin McCahon Capitalised his Picture-Titles

Reviews
- Marja Bloem and Martin Browne, Colin McCahon: A Question of Faith, Book and Exhibition reviewed by Peter Simpson
- Joanne Drayton, Rhona Haszard: An Experimental Expatriate New Zealand Artist, Reviewed by Dorothee Pauli
- Wystan Curnow and John Yau, Max Gimblett, Reviewed by William McAloon
- Michael Dunn, New Zealand Sculpture: A History;
Priscilla Pitts, Comptemporary New Zealand Sculpture: Themes and Issues;
Jeanette Cook (ed.), Paul Dibble;
Edward Lucie-Smith, Ken Scarlett and Gregory O'Brien, Chris Booth: Sculpture in Europe Australia and New Zealand;
Christina Barton (ed.), Ground/Work: The Art of Pauline Rhodes, Reviewed by Robin Woodward